Bristol Ferment turns 10 – line-up announced for January’s Ferment Fortnight16 Dec 2019
FERMENT FORTNIGHT (MON 27 JAN – SUN 9 FEB)
Marking its 10-year anniversary, bi-annual work-in-progress festival Ferment Fortnight is back in The Weston Studio and ready to showcase some of the finest innovation-seekers and theatre-makers the South West has to offer.
Ferment Fortnight highlights Bristol Old Vic’s 2020 Year of Artists pledge to champion creativity in everyone and stage work by the most outrageous talent Bristol has to offer. The 2-week festival will introduce the budding ideas of artists from across the South West, allowing audiences to engage with work that is still being made and feedback on scratch performances from emerging and established local theatre-makers.
This year’s line-up includes a welcome return to Bristol Ferment for the hugely popular Seamas Carey, Sharp Teeth, The Devil’s Violin and Sleepdogs alongside new friends like Florence Espeut-Nickless, Audrey Productions, Madeline Shann & Malaika Kegode, Jakabol and Jenny Davies – to name just a few.
Ferment’s mission is not only to support work at this initial stage but to help nurture these early sparks into a fully-fledged production. Over the last ten years, artists and companies have staged their work at the Edinburgh Fringe Festival, the National Theatre, the Wardrobe and Tobacco Factory Theatres and toured across the UK and internationally.
In 2019, the Jan and Jul Ferment Fortnights supported 24 new works in progress, including:
- FullRogue’s debut show Wild Swimming, subsequently programmed for a two week run in the Weston Studio after a sell-out Edinburgh run.
- Ad Infinitum’s Extraordinary Wall of Silence, which was welcomed back with rave reviews for a full run in the Weston Studio.
- Edson Burton and Ruth Ramsay’s Anansi and the Grand Prize, currently playing in the Weston Studio over Christmas.
- The Wardrobe Ensemble’s The Last of the Pelican Daughters, scheduled to stop by the main house in April on a UK-wide tour.
As always at the Ferment Fortnight, the audience will play a crucial part of the process as they are invited to feedback on each work-in-progress to help the artists and companies develop and grow.
Ben Atterbury, Ferment Producer today said, “This programme represents the beginning of a decade of Bristol Ferment. Ten years of supporting brilliant South West artists and companies to develop and present brilliant work here in the region, around the country and around the world. The Fortnight has always been a crucial element of our programme of artist support, so we’ll start as we mean to go on; by asking our Supported Artists and Companies to invite the audience into their experiments and ask for their help to find a way forwards together. We hope this programme signals the beginning of another ten years of Ferment joy as we look over the coming year to make our support bigger, better and more meaningful than ever before; the South West is brimming with extraordinary artistic talent (those already discovered alongside those yet to be found). The artists and companies Ferment is working with are just getting started, and this is your chance to see where it all begins.”
Tickets to Ferment Fortnight are just £5 and are on sale to Priority Bookers from today (16 Dec) with general tickets going on sale at noon Tue 17 Dec.
MON 27 JAN
Pagan Pandemonium is an interactive history lesson about British folkloric customs and traditions, told through the medium of a Japanese game show. Think Takeshi’s Castle meets Wicker Man.
Seamas Carey (Seamas Carey Meets His 4-Year Old Self) sets out to explore massive topics like sex and death, using copious amounts of audience participation, silly games and large inflatables.
TUE 28 JAN
Destiny dreams big. She dreams glamour. She’s gonna be an MTV Base backing dancer; you watch. If J-Lo can make it outta the Bronx then Destiny can make it off the scummy Hill Rise Estate in Chippenham. She’s fearless, ferocious and up for the fight (she’s had to be). Born below the breadline, she's desperate to see beyond the neighbourhood and find hope in hopelessness.
D.E.S.T.I.N.Y gives an insight into the country’s most forgotten youth and the 4.5 million children currently living in poverty in the UK.
WED 29 JAN
POLLY (THE HEARTBREAK OPERA)
Sharp Teeth & Marie Hamilton
A riotous adaptation of Polly, John Gay’s banned sequel to The Beggar’s Opera, with techno, tracksuits and palm trees. Set in a tacky beach resort on a storm hit island, we meet jilted brides, pregnant murderers, pirates, politicians and power pop girl bands. Telling not just the story of Purest Polly Peachum but of the other wives of Mac the Knife as well, this is a viciously satirical, unashamedly sexy, fierce and very funny not-quite-musical. It is a battle cry for the broken hearted, a joyous dissection of love, loss and revenge, with songs inspired by Peaches, Britney and Nina Simone.
THU 30 JAN
Eli XO have been told by their record label that they need to step up their game for their next album. They decide to take action & go to a remote location to record with an AI; the latest state of the art intelligent recording studio. As time progresses the band begin to suspect the AI is going above and beyond the call of duty. Is it friend or foe? Is it helping or hindering? Each member of Eli XO interprets the AI differently. But who is right?
FRI 31 JAN
BODY & SOUL
Body and Soul is a new British musical-in-progress inspired by a true story. In a tiny Cotswold hamlet a small group of elderly, female congregationalist Christians rented their Sunday school out to a pole dancing class to raise funds for their crumbling buildings. Body and Soul is inspired by the two communities of women who gathered at this old chapel in the Cotswolds; some to sing hymns and worship and others to pole dance. This early sharing of ideas for a new musical brings these unlikely worlds together, as three generations of characters unearth ancestors, awaken goddesses and laugh their t*ts off.
SAT 1 FEB
BOB (Ages 5+)
Two friends play alone in an undescribed, unnamed place. They have their own private games and play together in silence or using limited language. One day, Bob - a blob of light - comes bursting into their world, and their world becomes brighter with him inside of it. With him they play games, make adventures and explore. They are happy. But one day Bob’s light fades away, and then they are left to come to terms with his unexpected disappearance from their lives, helping each other to understand the process of letting Bob go, and moving forward.
TUE 4 FEB
SOMETHING IN YOUR VOICE
In this ambitious new performance, Emergency Chorus pick up the phone and plunge into a vast cityscape of moving bodies, dense information and traffic, eavesdropping on bleary arguments, late-night gossip and whispered confessions.Taking inspiration from the everyday dance of switchboard operators and the poetry of the Yellow Pages, Something in Your Voice maps out a tangled web of crossed lines and broken signals, asking what connects us in a world where everyone is in touch.
WED 5 FEB
THE BEAST IN ME
The Devil’s Violin
Who is the stranger who waits at the crossroads? Why does the filthy stranger wear a bear’s skin, and why do his pockets overflow with gold? Shot through with mysterious imagery, The Beast in Me is an unforgettable tale of the calamitous impact of chance and the redemptive power of love. The Devil’s Violin return; since their inception in 2006, they have developed a huge following for their gripping and powerful storytelling. The Beast in Me will feature their trademark fusion of timeless story and beautiful live music, as well as a few surprises!
THU 6 FEB
Babel’s Cupid is a play about sex and translation. It's about how words hold immense power, but how language as communication isn’t merely contained in the words spoken. It's about how bodies change words. It features talk of a big-ass telescope (not a euphemism) and dancing at the end of the world (also not a euphemism). It might get loud. It might get sweaty. Or maybe it’ll just be the quickening of a pulse, the flicker of an eye, and the impossibility of turning away.
FRI 7 FEB
Malaika Kegode, Jenny Davies & Jakabol
Devon. A party. A funeral. A tortoise smuggled in a box. Ama, Lewis and Oskar have grown up together. In each other’s pockets in some ways, isolated in others; they smoke, drink and charge through life together. They are railing against the stories they feel have been written for them. This is their opportunity to show you who they are and who they could be. Based on lived experience, Outlier will become a gig-theatre piece combining spoken word storytelling, animation and loud music to explore themes of addiction, mental health and belonging in the rural reaches of Britain today.
SAT 8 FEB
Sam is trying to hang on in a world that doesn’t care and that feels like it’s falling apart. As Sam disappears further down the rabbit hole, she finds reality bending around her as she tries to find a way back to what is real and true about the world that she is in. The Gravity is a new piece exploring suicide and despair with influences from the world of satire, black comedy, cinema and sci-fi. This work-in-progress is the culmination of a two week R&D, the first workshop phase of the project.
SUN 9 FEB
OUTLIER (GIG VERSION)
Malaika Kegode, Jenny Davies & Jakabol
Crofters Rights, 117-119 Stokes Croft, Bristol BS1 3RW
Same show, different venue after Outlier’s earlier outing in the Weston Studio.
Devon. A party. A funeral. A tortoise smuggled in a box. Ama, Lewis and Oskar have grown up together. In each other’s pockets in some ways, isolated in others; they smoke, drink and charge through life together. They are railing against the stories they feel have been written for them. This is their opportunity to show you who they are and who they could be. Based on lived experience, Outlier will become a gig-theatre piece combining spoken word storytelling, animation and loud music to explore themes of addiction, mental health and belonging in the rural reaches of Britain today
Bristol Old Vic is the longest continuously running theatre in the UK, and celebrated its 250th anniversary in 2016. The historic playhouse aims to inspire audiences with its own original productions, both at home and on tour, whilst nurturing the next generation of artists, whether that be through their 350-strong Young Company, their many outreach and education projects or their trailblazing artist development programme, Bristol Ferment.
They use their funding to support experiment and innovation, to allow access to their programme for people who would not otherwise encounter it, or be able to afford it, and to keep their extraordinary heritage alive and animated.
On 24 Sep 2018, Bristol Old Vic completed its 2-year multi-million pound redevelopment project, which transformed its front of house space into a warm and welcoming public building for all of Bristol to enjoy, created a new studio theatre and opened up its unique theatrical heritage to the public for the first time.