Emma Hall & Charlie Parham
EMMA HALL is a producer, writer and dramaturg. She is Co-Artistic Director of Antic Productions, a consultant producer at Kindred Partners and The Development Partnership and an associate producer for Eel Pie Productions. She previously spent four years at Sonia Friedman Productions as a Production & Creative Development Associate where her work on shows in the West End included Anna X, The Comeback, The Shark is Broken, All About Eve and The Jungle. She has produced all of Antic Productions’ work to date including Carmina Victoriana (Wilton’s Music Hall), Collective Rage: A Play In Five Betties (Southwark Playhouse), School Play (Southwark Playhouse), For Those Who Cry When They Hear The Foxes Scream (Tristan Bates) and Hippolytos (V&A). Emma has previously worked at London Theatre Company, as an Associate Producer at Found 111 and as Editor for New Writing at Oberon Books. She is a Stage One Bursary recipient.
CHARLIE PARHAM is a director and writer working across theatre and film, with a focus on new writing, adaptation and musicals. He recently worked as Second Unit Director on the upcoming Take That-inspired musical film Greatest Days and is currently developing Antic’s new musical adaptation of Starter For Ten as director and as co-writer of book and lyrics. Stage directing work for Antic includes Carmina Victoriana (Wilton’s Music Hall), Collective Rage: A Play In Five Betties (Southwark Playhouse), School Play (Southwark Playhouse), For Those Who Cry When They Hear The Foxes Scream (Tristan Bates) and Hippolytos (V&A). As a writer and performer in drag supergroup DENIM, Charlie played successive sold-out shows at Soho Theatre and the Edinburgh Festival, touring throughout the UK to diverse venues including Glastonbury, Latitude, the Almeida and Trafalgar Studios. He has directed musical cabarets at Wilton’s Music Hall, Arts Theatre West End and Florence’s Boboli Gardens. For screen, Charlie directed musical special The Night Watchmen’s Nativity (Sky Arts). His short films Exit Eve, Full English and Nightstand have received official selection at festivals worldwide. One of his first jobs working on ITV’s live production of The Sound Of Music inspired Charlie to foster connections between stage and screen – an interest he later developed as a broadcast producer at the National Theatre.